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Catalog
How to Sing
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00 - Preface; My Purpose; My Title to Write on the Art of Song
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01 - Section I: Preliminary Practice
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02 - Section II: Of the Breath
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03 - Section III: Of the Breath and Whirling Currents
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04 - Section IV: The Singer's Physiological Studies
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05 - Section V: Equalizing the Voice - Form
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06 - Section VI: The Attack and the Vowels
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07 - Sections VII - VIII: Nasal Singing; The Head Voice
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08 - Sections IX - XII: Sensations of Tongue, Nose, Palate and Resonance of Head Cavities
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09 - Sections XIII - XIV: On Vocal Registers; Development and Equalization
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10 - Section XV - XVI: White Voices; Theodor Wachtel
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11: Section XVII: Highest Head Tones
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12: Sections XVIII - XIX: The Tremolo; The Cure
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13 - Sections XX - XXI: The Tongue; Preparations for Singing
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14 - Sections XXII - XXIV: Position of the Mouth; Connection of Vowels; The Lips
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15 - Sections XXV - XXVII: The Vowel Sound AH; Italian and German; Auxiliary Vowels
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16 - Sections XXVIII - XXX: Resonant Consonants; Practical Exercises; The Great Scale
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17 - Sections XXXI - XXXII: Velocity; Trill
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18 - Section XXXIII: How to Hold One's Self when Practising
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19 - Section XXXIV: Pronunciation - Consonants
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20 - Sections XXXV - XXXVI: Concerning Expression; Before the Public
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21 - Section XXXVII - XXXVIII and Note: Interpretation; In Conclusion; Remedy for Catarrh and Hoarseness
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