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• Translator's Preface and Preface to the First Edition
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• Introduction
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• Part I - Physiological Colours Section 1 - Effects of Light and Dark on the Eye
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• Section II - Effects of Black and White Objects on the Eye
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• Section III - Grey Surfaces and Objects; Section IV - Dazzling Colourless Objects
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• Section V - Coloured Objects
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• Section VI - Coloured Shadows
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• Section VII - Faint Lights; Section VIII - Subjective Halos
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• Pathological Colours - Appendix
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• Part 2 - Physical Colours - Section IX - Diotropical Colours
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• Section X - Diotropical Colours of the First Class
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• Section XI - Diotropical Colours of the Second Class - Refraction
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• Subjective Experiments - Section XII - Refraction Without the Appearance of Colour; Section XIII - Conditions of the Appearance of Colour
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• Section XIV - Conditions Under Which the Appearance of Colour Increases
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• Section XV - Explanation of the Foregoing Phenomena
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• Section XVI - Decrease of the Appearance of Colour; Section XVII - Grey Objects Displaced by Refraction
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• Section XVIII - Coloured Objects Displaced by Refraction
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• Section XIX - Achromatism and Hyperchromatism; Section XX - Advantages of Subjective Experiments. - Transition to the Objective
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• Objective Experiments - Section XXI - Refraction Without the Appearance of Colour; Section XXII - Conditions of the Appearance of Colour
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• Section XXIII - Conditions of the Increase of Colour; Section XXIV - Explanation of the Foregoing Phenomena
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• Section XXV - Decrease of the Appearance of Colour; Section XXVI - Grey Objects ; Section XXVII - Coloured Objects; Section XXVIII - Achromatism and Hyperchromatism
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• Section XXIX - Combination of Subjective and Objective Experiments; Section XXX - Transition
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• Section XXXI - Catatropical Colours
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• Section XXXII - Paroptical Colours
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• Section XXXIII - Epoptical Colours
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• Part III - Chemical Colours - Section XXXIV - Chemical Contrast
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• Section XXXV - White; Section XXXVI - Black; Section XXXVII - First Excitation of Colour
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• Section XXXVIII - Augmentation of Colour; Section XXXIX - Culmination; Section XL - Fluctuation; Section XLI - Passage Through the Whole Scale
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• Section XLII - Inversion; Section XLIII - Fixation; Section XLIV - Intermixture, Real; Section XLV - Intermixture, Apparent
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• Section XLVI - Communication, Actual; Section XLVII - Communication, Apparent
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• Section XLVIII - Extraction; Section XLIX - Nomenclature
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• Section L - Minerals; Section LI - Plants
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• Section LII - Worms, Insects, Fishes; Section LIII - Birds
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• Section LIV - Mammalia and Human Beings
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• Section LV - Physical and Chemical Effects of the Transmission of Light Through Coloured Mediums; Section LVI - Chemical Effect in Dioptrical Achromatism;
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• Part IV - General Characteristics
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• Part V - Relation to Other Pursuits
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• Part VI - Effect of Colour With Reference to Moral Associations; Yellow; Red-Yellow; Yellow-Red; Blue; Red-Blue; Red; Green
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• Completeness and Harmony; Yellow and Blue; Yellow and Red; Blue and Red; Yellow-Red and Blue-Red; Combinations Non-Characteristic; Relations of the Combinations to Light and Dark; Considerations Derived from the Evidence of Experience and History
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• Aesthetic Influence; Chiaro-Scuro; Tendency to Colour; Keeping; Colour in General Nature; Characteristic Colouring
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• Harmonious Colouring; Genuine Tone; False Tone; Weak Colouring; The Motley; Dread of Theory; Ultimate Aim; Grounds; Pigments
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• Allegorical, Symbolic, Mystical Application of Color; Concluding Observations
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