• New Jazz That Agitates for Change
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• Remembering Sophie, Architect of Future Pop
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• The Music Lost to Coronavirus, Part 2
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• Olivia Rodrigo and ‘Drivers License’ Aren’t Going Anywhere
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• Inside the Bull Market for Songwriting Rights
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• How Zev Love X Became MF Doom
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• 2020 Popcast Listener Mailbag: Taylor, Dua, MGK and More
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• Taylor Swift’s ‘Evermore’: Let’s Discuss
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• The Best Albums of 2020? Let’s Discuss.
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• Saweetie, City Girls and the Female Rapper Renaissance
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• Who Will Control Britney Spears’s Future?
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• Ariana Grande, a Pop Star for the Post-Pop Star Age
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• The Many Mariah Careys
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• Luke Combs’s Country Stardom and the Remaking of the Bro
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• Will Pop Music of the Future Rely on Actual Musicians, or Avatars?
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• Is TikTok a Music Industry Friend or Troll?
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• Lady Gaga and Katy Perry, Preserving Pop’s Old Guard
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• Remembering Riley Gale of Power Trip, a Thrash Titan
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• How Merchandise Bundles Undid the Album Chart
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• The Music Lost to Coronavirus, Part 1
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• The Welcome Return of the Chicks
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• Answering Your Questions About Taylor Swift’s ‘Folklore’
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• Taylor Swift’s ‘Folklore’: Let’s Discuss
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• Remembering Ennio Morricone, the Film Score Maestro
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• The Timely Agitation of Run the Jewels
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• Pop Superfans Are Getting Politically Active. What Happens Next?
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• Lil Baby Is Warming Up to the Spotlight
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• The Long, Complicated History of ‘Urban’ Music
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• How Did The Source Cover the 1992 Los Angeles Uprisings?
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• After Missteps, Pop Stars Apologize … and Sometimes Push Back
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• The Many Lives of Doja Cat
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• Remembering Tony Allen and Florian Schneider, Two Pillars of Rhythm
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• The Triumphant Return of Fiona Apple, Pop Music Renegade
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• Beyond ‘Trolls’ and ‘Frozen’: What Are Our Kids Listening To?
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• Dua Lipa, Dance-Pop Crusader
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• Sam Hunt and Kenny Rogers, Country Music Rule-Benders
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• What Is the Role of Criticism in a Crisis?
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• What Music Should I Listen to in a Crisis?
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• How Will Pop Music Respond to the Coronavirus?
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• The Unrelenting Space Jams of Tame Impala
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• The Death of Pop Smoke and the Future of Brooklyn Drill
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• Justin Bieber Is Back With Confessions, Personal and Musical
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• Answering Your Questions About Britney, Billie, Aaliyah and More
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• Answering Your Questions About Taylor, Mitski, Emo and More
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• When Did the Super Bowl Halftime Show Become Political?
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• The Grammys, Dissected: Out With the Old, in With the Billie, Lizzo and Tyler
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• How TikTok Is Killing the Radio Songwriter
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• In 2019, Jazz Reckoned With Old Boundaries, and Marched Past Them
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• Were These the Best Albums of the 2010s?
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• Debating the Best Albums of 2019
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• Juice WRLD and the Crisis of SoundCloud Rap-Era Fame
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• Would Prince Have Wanted His Rough Drafts Made Public?
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• Dissecting the 2020 Grammy Nominations
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• Taylor Swift, Lizzo, Lana Del Rey: Pop Stars (and Their Fans) Clap Back
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• Can Reality Television Produce a Plausible Rap Star?
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• Kanye West’s ‘Jesus Is King,’ From the Gospel Perspective
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• The Rise of DaBaby, From Memes to the Mosh Pit
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• The Highwomen, Miranda Lambert and the Women Invigorating Country Music
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• Is 100 gecs the End of Pop, or a New Beginning?
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• A New Flood of English-Spanish Pop Is Here. Is It Opportunism or Progress?
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• How Does Post Malone Sound Like Everything and Nothing?
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• Young Thug Gets His Due, But Is It Too Late?
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• What’s the Point of Album Covers in the Post-Album Era?
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• Is Taylor Swift’s ‘Lover’ the Beginning or the End of an Era?
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• A Tribute to David Berman, Who Never Hid His Truth
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• Funkmaster Flex and Tyler, the Creator’s Unlikely Buddy Comedy
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• How Many Streams Is a T-Shirt Worth? Breaking Down Chart Dilemmas.
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• The Loudness of João Gilberto, Bossa Nova’s King of Quiet
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• How Hootie & the Blowfish Inspired Both Love and Hate
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• Taylor vs. Scooter: The Pop Music Civil War of 2019
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• The Unexpectedly Deep Musical Roots of Hootie & the Blowfish
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• Why Are the Movies So Obsessed With Pop Stars?
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• Can Record Labels Be Trusted to Preserve Music History?
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• Bob Dylan’s Excellent Adventure
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• Megan Thee Stallion and Rap’s Rising Generation of Women
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• Are AirPods Worth the Costs?
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• Vampire Weekend, Indie Rock Heretics Turned Anxious Jam Band
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• The Return of Bikini Kill and the Long Tail of Riot Grrrl
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• How Gospel and Pop Learn From Each Other
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• Is Billie Eilish the Future of Pop?
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• Lil Nas X and the Long History of Country-Rap
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• Boy Bands, Now Featuring Grown Men
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• How a Viral Rap Star Rocketed From Meme to Hit
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• Can Michael Jackson’s Legacy Ever Really Be Derailed?
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• The Hip-Hop Superstar as Local Newsmaker
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• Behind the Ryan Adams Investigation
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• The 2019 Grammys Make Up for Last Year, Somewhat
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• Maggie Rogers and Sharon Van Etten Break Free From Old Expectations
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• Fyre Festival’s Post-Mortems: We’ve Still Got Questions
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• Listening to Pop Music’s Class of 2019
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• Bad Bunny Is Just Getting Started
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• The New Battles Over the Direction of Jazz
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• Your Questions About Pop Music, Answered (or Ruled Unanswerable)
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• A New Kind of Pop Star Has Arrived
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• Listening to the Best Songs of 2018
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• How the Grammy Nominations Really Made Us Feel
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• Debating the Best Albums of 2018: Janelle Monáe, Soccer Mommy and More
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• 6ix9ine’s Troubled Past and Uncertain Future
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• The Gentle Return of Mariah Carey
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• Kane Brown, Pistol Annies and Country Music’s Inclusion Problem
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• Remembering Roy Hargrove, Who Brought Jazz History Into Tomorrow
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• Robyn, Pop’s Reluctant Pacesetter
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• BTS Conquered America. What’s Next for K-Pop?
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• For Those About to Rock, An Uncertain Fate
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• ‘A Star Is Born’ Is Here. Let’s Discuss.
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• How Lil Wayne Became One of Hip-Hop’s Most Durable Stars
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• Should They Stay or Should They Go? Pop Stars and Retirement
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• What Makes for a Great Celebrity Profile?
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• Remembering Mac Miller, Low-Key Hip-Hop Bellwether
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• Remembering The Village Voice, Music Criticism's Crucible: Part 2
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• Remembering The Village Voice, Music Criticism's Crucible: Part 1
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• How We Arrived at Ariana Grande’s Big Moment
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• Nicki Minaj and Travis Scott, Rivals With Common Problems
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• Aretha Franklin: The Artist We Knew, and the Woman We Didn’t
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• The Shrinking Space Between Band T-Shirt and High Fashion
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• Can Guns N’ Roses, or Any Artist, Erase an Unflattering Moment?
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• Who’s in Charge of Telling Whitney Houston’s Story?
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• When Superfans Attack
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• Drake: Platinum in a Day, but Still at a Crossroads
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• Kanye West: You Asked, We Answered
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• XXXTentacion, Mourning and Morality
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• Charlie Puth and Shawn Mendes, Would-Be Pop Kings
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• Kanye West’s ‘Ye’ Is Here: Let’s Discuss
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• Drake vs. Pusha-T, Unpacked
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• Yes, We Stuck With ‘American Idol’
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• Pursuing R. Kelly: The Reporter Who Never Gave Up
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• ‘Girls’ Gone Wrong: Who Gets to Make a Gay Love Song?
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• Avicii: Overexposed and Underappreciated?
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• Beyoncé and Kendrick Lamar Break Boundaries
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• Pop’s Category Killers, From Live Nation to Spotify, Under the Microscope
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• Cardi B Arrives at the Top
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• Logic, XXXTentacion and Hip-Hop Morality in 2018
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• Kacey Musgraves and Ashley McBryde, Country Traditionalists With a Twist
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• Ashlee Simpson: You Asked, We Answered
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• Was Ashlee Simpson Underappreciated? Discuss
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• Lucy Dacus, Soccer Mommy, the Breeders and the Future of Indie Rock
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• In Defense of Soundtracks. And Fergie.
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• The Complex Intersection Where Rap and the Legal System Collide
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• Justin Timberlake Down, Meek Mill Up: How Twitter Swings Public Opinion
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• Can the Grammys Be Fixed?
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• Hear What Music Will Sound Like in 2018
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• Remembering the Cranberries’ Dolores O’Riordan
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• In Streaming, One Goliath Creates Many Davids
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• Is Today’s Jazz Finally Outrunning the Past?
";
• Will Eminem Ever Change?
";
• The Popcast Answers Your Burning Questions About Pop Music in 2017
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• In 2017, Pop Music Made Triumph Out of Tough Times
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• After 40 Years, U2 Is Still Huge. Why?
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• Remembering Lil Peep
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• Taylor Swift’s ‘Reputation’ Has Arrived. Let’s Discuss.
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• Taylor Swift’s ‘Reputation’ Is Almost Here. Let’s Discuss.
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• How Will Jann Wenner and Rolling Stone Be Remembered?
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• What Are the Billboard Charts Really Measuring?
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• The Persistence of Pink and Kelly Clarkson, Outspoken Pop Survivors
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• Shania Twain Was Country’s Crossover Queen. What Is She Now?
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• Tom Petty, a Secret Punk on Rock’s Mount Rushmore
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• National Anthem Protests, From ‘Jazzing the Banner’ to Taking a Knee
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• Bye, Bro. In Country Music, It’s the Year of the Gentleman.
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• From Instagram to ‘Bodak Yellow,’ Cardi B Has Arrived
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• Women Dominating Rock: There’s More to the Conversation
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• The Popcast Answers Your Questions About Beyoncé, Music Videos and More
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• Is SoundCloud a Business or a Community?
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• Kesha and Taylor Swift Find New Voices
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• What Keeps Phish Fans Coming Back for More?
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• Is Arcade Fire Its Own Worst Enemy?
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• Celebrating Two of Rock’s Big Voices, Chester Bennington and Chris Cornell
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• Streaming Is Taking Over Pop, but It’s Far From Flawless
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• From Jay-Z to Prodigy, It’s Time to Talk About Hip-Hop’s Elders
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• Can K-pop Conquer America?
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• Hip-Hop’s Punk Moment Has Arrived
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• Katy Perry, Lorde and Halsey: How to Make a Pop Album in 2017
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• Why We’re Still Listening to the Beatles’ ‘Sgt. Pepper’
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• Latin Pop Thrives, No Bieber Required
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• Festivals That Inspire Awe, and Festivals That Lead to Criminal Investigations
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• Harry Styles and John Mayer, Teardrops on Their Guitars
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• Paramore Returns, Headed Straight For the 1980s
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• Finding Feist’s Pleasure and Pain
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• How Lil Uzi Vert Turned Rap Into Rock and Became a Pop Star
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• A Deep Dig on Kendrick Lamar and J. Cole’s Hip-Hop’s Values
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• How Do You Solve a Problem Like the Chainsmokers?
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• Jazz in 2017: The Music Is Thriving, Though Support Is in Peril
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• Drake Changed Hip-Hop’s Sound. Can He Change the Business?
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• How Chuck Berry Became a Rock ’n’ Roll Mastermind
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• The Billboard Charts Are Wackier Than Ever: What’s Going On?
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• The Greatest Trick Ed Sheeran Ever Pulled Was Convincing the World He’s an Underdog
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• What Future and Migos Tell Us About Atlanta’s Rap Dominance
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• What Happens When Nashville Outsiders Become Country’s Big Stars?
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• Were There Any Real Winners at the Grammys?
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• Will the Grammy Awards End With a Big Surprise?
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• Punk Rock Is Alive and Well, No Politics Required
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• The War Over ‘La La Land’: Gotta Hear Both Sides
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• The Crooner in Chief: Barack Obama’s Musical Legacy
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• Hip-Hop’s Elders and Youth Go to Battle (Again)
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• Mariah Carey and New Year’s Eve: Is the Fantasy Over?
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• 10 Songs That Tell the Story of 2016
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• The Year in Jazz Music
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• Pop Music Trends in 2016
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• The Best Albums of 2016
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• For Bruno Mars and the Weeknd, the Past as Muse
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• Revisiting Kanye West's 'The Life of Pablo'
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• Mourning the Greats: Leonard Cohen, Leon Russell and Mose Allison
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• Popcast: Division and Unity in Pop, and Beyond
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• Popcast: A Tribe Called Quest Returns
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• Popcast: What’s Next for Kesha?
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• Popcast: Nu-Dance Rises With Help From Streaming
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• Dylancast: Bob Dylan Wins the Nobel Prize!
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• Popcast: Tyler Glenn at the Crossroads
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• Popcast: Finding the Joy (and Humor) in Bon Iver’s Pain
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• Popcast: The Next Teen Star Machine
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• Popcast: Fall Preview
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• Popcast: The Return of New York Rap
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• Popcast: Stardom in the Age of Social Media
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• Popcast: Frank Ocean Returns
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• Popcast: Race and Hip-Hop, a Conversation
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• Popcast: Janet Jackson and the Legacy of ‘Control’
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• Popcast: A Send-Off for Ben Ratliff
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• Popcast: Gucci Mane and Atlanta Hip-Hop
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• Popcast: Dissecting the Legacy of Alan Vega and Suicide
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• Popcast: The Return of Pop-Punk and Emo
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• Popcast: J Balvin’s Reggaeton Mission
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• Popcast: Prince’s Fateful Flight and Judith Hill’s Story
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• Popcast: Techno’s Dual Identity
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• Popcast: Hip-Hop Concerts and the Police
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• Popcast: Arthur Russell
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• Popcast: Chance the Rapper and Drake
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• Popcast: Radiohead and James Blake
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• Popcast: Britney Spears
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• Popcast: Beyoncé Serves Up ‘Lemonade’
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• Popcast: Remembering Prince
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• Popcast: Caetano Veloso
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• Popcast:Country Music Agitators
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• Popcast: Jazz Artists in Exile
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• Popcast: Jazz in Museums
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• Popcast: Gwen Stefani Returns
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• Popcast: The Art and Future of Criticism
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• Popcast: Macklemore’s Aesthetic Mission
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• Popcast: Kanye West”s Unfinished Album
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• Popcast: Beyonce and Rihanna Take a Different Approach
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• Popcast: R&B’s New Identity
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• Popcast: Tropical House Movement
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• Popcast: Love, Death and David Bowie
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• Popcast: Jazz Moments of 2015
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• Popcast: Making Sense of 2015 in Music
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• Popcast: Best Songs of 2015
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• Popcast: Best Albums of 2015
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• Popcast: Joe Casey of Protomartyr
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• Popcast: Sophie and Grimes
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• Popcast: The Return of Adele
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• Popcast: Taylor Swift and Drake, Friendship vs. Partnership
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• Popcast: Joanna Newsom
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• Popcast: Justin Bieber Is Back. Thank Poo Bear.
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• Popcast: The Influence of ‘808s and Heartbreak’
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• Popcast: Janet Jackson Returns With ‘Unbreakable’
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• Lin-Manuel Miranda On How Hip-Hop Influenced Him and ‘Hamilton’
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• Popcast: Jen Shyu Explores the Unknown
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• Popcast: Jon Batiste and ‘The Late Show With Stephen Colbert’
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• Popcast: 2015 MTV Video Music Awards
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• Popcast: The Weeknd
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• Popcast: ‘Where Are Ü Now’
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• Carly Rae Jepsen Grows Up
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• Popcast: ‘Straight Outta Compton’
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• Drake’s Bully Pulpit
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• Popcast: Titus Andronicus
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• Popcast: Prince Royce, Pitbull and Multilingual Pop Music
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• Reggae’s Summer Flirtation
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• Hip-Hop’s Silent Majority
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• Apple Music and Beats 1
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• Popcast: “Tomatoes” Giving Country Its Bite
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• Popcast: Tenement’s Bright Double Album
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• Jason Derulo Glides Across Genres
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• ASAP Rocky Returns to a Haze
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• Shamir’s Distinctive Voice
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• Joey Alexander, the Young Jazz Sensation
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• U2 Prepares to Go on Tour
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• New Albums By Zac Brown Band and Tyler Farr
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• Kamasi Washington and the West Coast Get Down
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• How Much Festival Is Too Much Festival?
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• The Ongoing Evolution of Charles Lloyd
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• Kendrick Lamar, Dissenting From the Mainstream as He Influences It
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• On ‘Empire’: The Show, the Music and the Calamitous Finale
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• Blurred Legal Lines
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• Madonna is Still Madonna On ‘Rebel Heart’
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• Who Is Boots?
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• Grammys Post-Mortem
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• Björk Gets Personal
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• Departed Tastemakers: ASAP Yams and Kim Fowley
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• Sleater-Kinney Returns
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• All About Meghan Trainor
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• The Year in Jazz 2014
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• The Year in Pop 2014
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• The Best Albums of 2014
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• The Pop Savvy of ‘Beyond the Lights’
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• London Calls Mary J. Blige
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• How Bobby Shmurda Danced Into the Hot 100
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• Dave Grohl’s ‘Sonic Highways’
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• The Myth of Scott Walker
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• Tinashe, FKA Twigs and the Semantics of R&B
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• Parsing Steve Coleman’s Genius
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• What We Talk About When We Talk About Chris Brown
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• U2’s ‘Songs of Innocence’: Gift or Spam?
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• Our Vacations with Ariana Grande and Kate Bush
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• The Alchemist
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