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• The Grammys, Improbably, Made It Work
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• The Music Lost to Coronavirus, Part 2
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• Inside the Bull Market for Songwriting Rights
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• 2020 Popcast Listener Mailbag: Taylor, Dua, MGK and More
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• Taylor Swift’s ‘Evermore’: Let’s Discuss
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• The Best Albums of 2020? Let’s Discuss.
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• Saweetie, City Girls and the Female Rapper Renaissance
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• Who Will Control Britney Spears’s Future?
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• The Many Mariah Careys
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• Will Pop Music of the Future Rely on Actual Musicians, or Avatars?
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• Is TikTok a Music Industry Friend or Troll?
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• Lady Gaga and Katy Perry, Preserving Pop’s Old Guard
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• Remembering Riley Gale of Power Trip, a Thrash Titan
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• How Merchandise Bundles Undid the Album Chart
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• The Music Lost to Coronavirus, Part 1
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• The Welcome Return of the Chicks
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• Answering Your Questions About Taylor Swift’s ‘Folklore’
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• Taylor Swift’s ‘Folklore’: Let’s Discuss
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• Remembering Ennio Morricone, the Film Score Maestro
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• The Timely Agitation of Run the Jewels
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• Pop Superfans Are Getting Politically Active. What Happens Next?
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• Lil Baby Is Warming Up to the Spotlight
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• The Long, Complicated History of ‘Urban’ Music
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• How Did The Source Cover the 1992 Los Angeles Uprisings?
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• After Missteps, Pop Stars Apologize … and Sometimes Push Back
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• The Many Lives of Doja Cat
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• The Triumphant Return of Fiona Apple, Pop Music Renegade
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• Beyond ‘Trolls’ and ‘Frozen’: What Are Our Kids Listening To?
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• Dua Lipa, Dance-Pop Crusader
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• Sam Hunt and Kenny Rogers, Country Music Rule-Benders
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• What Is the Role of Criticism in a Crisis?
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• What Music Should I Listen to in a Crisis?
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• How Will Pop Music Respond to the Coronavirus?
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• The Unrelenting Space Jams of Tame Impala
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• The Death of Pop Smoke and the Future of Brooklyn Drill
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• Justin Bieber Is Back With Confessions, Personal and Musical
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• Answering Your Questions About Britney, Billie, Aaliyah and More
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• Answering Your Questions About Taylor, Mitski, Emo and More
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• When Did the Super Bowl Halftime Show Become Political?
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• The Grammys, Dissected: Out With the Old, in With the Billie, Lizzo and Tyler
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• How TikTok Is Killing the Radio Songwriter
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• In 2019, Jazz Reckoned With Old Boundaries, and Marched Past Them
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• Were These the Best Albums of the 2010s?
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• Debating the Best Albums of 2019
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• Juice WRLD and the Crisis of SoundCloud Rap-Era Fame
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• Would Prince Have Wanted His Rough Drafts Made Public?
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• Dissecting the 2020 Grammy Nominations
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• Taylor Swift, Lizzo, Lana Del Rey: Pop Stars (and Their Fans) Clap Back
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• Can Reality Television Produce a Plausible Rap Star?
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• Kanye West’s ‘Jesus Is King,’ From the Gospel Perspective
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• The Rise of DaBaby, From Memes to the Mosh Pit
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• The Highwomen, Miranda Lambert and the Women Invigorating Country Music
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• Is 100 gecs the End of Pop, or a New Beginning?
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• A New Flood of English-Spanish Pop Is Here. Is It Opportunism or Progress?
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• How Does Post Malone Sound Like Everything and Nothing?
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• Young Thug Gets His Due, But Is It Too Late?
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• What’s the Point of Album Covers in the Post-Album Era?
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• Is Taylor Swift’s ‘Lover’ the Beginning or the End of an Era?
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• A Tribute to David Berman, Who Never Hid His Truth
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• Funkmaster Flex and Tyler, the Creator’s Unlikely Buddy Comedy
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• How Many Streams Is a T-Shirt Worth? Breaking Down Chart Dilemmas.
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• The Loudness of João Gilberto, Bossa Nova’s King of Quiet
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• How Hootie & the Blowfish Inspired Both Love and Hate
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• Taylor vs. Scooter: The Pop Music Civil War of 2019
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• The Unexpectedly Deep Musical Roots of Hootie & the Blowfish
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• Why Are the Movies So Obsessed With Pop Stars?
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• Can Record Labels Be Trusted to Preserve Music History?
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• Bob Dylan’s Excellent Adventure
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• Megan Thee Stallion and Rap’s Rising Generation of Women
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• Are AirPods Worth the Costs?
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• Vampire Weekend, Indie Rock Heretics Turned Anxious Jam Band
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• The Return of Bikini Kill and the Long Tail of Riot Grrrl
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• How Gospel and Pop Learn From Each Other
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• Is Billie Eilish the Future of Pop?
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• Lil Nas X and the Long History of Country-Rap
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• Boy Bands, Now Featuring Grown Men
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• How a Viral Rap Star Rocketed From Meme to Hit
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• Can Michael Jackson’s Legacy Ever Really Be Derailed?
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• The Hip-Hop Superstar as Local Newsmaker
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• Behind the Ryan Adams Investigation
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• The 2019 Grammys Make Up for Last Year, Somewhat
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• Maggie Rogers and Sharon Van Etten Break Free From Old Expectations
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• Fyre Festival’s Post-Mortems: We’ve Still Got Questions
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• Listening to Pop Music’s Class of 2019
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• Bad Bunny Is Just Getting Started
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• The New Battles Over the Direction of Jazz
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• Your Questions About Pop Music, Answered (or Ruled Unanswerable)
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• A New Kind of Pop Star Has Arrived
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• Listening to the Best Songs of 2018
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• How the Grammy Nominations Really Made Us Feel
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• Debating the Best Albums of 2018: Janelle Monáe, Soccer Mommy and More
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• 6ix9ine’s Troubled Past and Uncertain Future
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• The Gentle Return of Mariah Carey
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• Kane Brown, Pistol Annies and Country Music’s Inclusion Problem
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• Remembering Roy Hargrove, Who Brought Jazz History Into Tomorrow
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• Robyn, Pop’s Reluctant Pacesetter
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• BTS Conquered America. What’s Next for K-Pop?
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• For Those About to Rock, An Uncertain Fate
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• ‘A Star Is Born’ Is Here. Let’s Discuss.
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• How Lil Wayne Became One of Hip-Hop’s Most Durable Stars
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• Should They Stay or Should They Go? Pop Stars and Retirement
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• What Makes for a Great Celebrity Profile?
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• Remembering Mac Miller, Low-Key Hip-Hop Bellwether
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• Remembering The Village Voice, Music Criticism's Crucible: Part 2
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• Remembering The Village Voice, Music Criticism's Crucible: Part 1
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• How We Arrived at Ariana Grande’s Big Moment
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• Nicki Minaj and Travis Scott, Rivals With Common Problems
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• Aretha Franklin: The Artist We Knew, and the Woman We Didn’t
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• Can Guns N’ Roses, or Any Artist, Erase an Unflattering Moment?
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• Who’s in Charge of Telling Whitney Houston’s Story?
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• When Superfans Attack
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• Drake: Platinum in a Day, but Still at a Crossroads
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• Kanye West: You Asked, We Answered
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• XXXTentacion, Mourning and Morality
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• Charlie Puth and Shawn Mendes, Would-Be Pop Kings
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• Kanye West’s ‘Ye’ Is Here: Let’s Discuss
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• Yes, We Stuck With ‘American Idol’
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• Pursuing R. Kelly: The Reporter Who Never Gave Up
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• ‘Girls’ Gone Wrong: Who Gets to Make a Gay Love Song?
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• Avicii: Overexposed and Underappreciated?
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• Beyoncé and Kendrick Lamar Break Boundaries
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• Pop’s Category Killers, From Live Nation to Spotify, Under the Microscope
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• Cardi B Arrives at the Top
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• Logic, XXXTentacion and Hip-Hop Morality in 2018
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• Kacey Musgraves and Ashley McBryde, Country Traditionalists With a Twist
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• Ashlee Simpson: You Asked, We Answered
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• Was Ashlee Simpson Underappreciated? Discuss
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• Lucy Dacus, Soccer Mommy, the Breeders and the Future of Indie Rock
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• In Defense of Soundtracks. And Fergie.
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• The Complex Intersection Where Rap and the Legal System Collide
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• Justin Timberlake Down, Meek Mill Up: How Twitter Swings Public Opinion
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• Can the Grammys Be Fixed?
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• Hear What Music Will Sound Like in 2018
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• Remembering the Cranberries’ Dolores O’Riordan
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• In Streaming, One Goliath Creates Many Davids
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• Is Today’s Jazz Finally Outrunning the Past?
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• Will Eminem Ever Change?
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• The Popcast Answers Your Burning Questions About Pop Music in 2017
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• In 2017, Pop Music Made Triumph Out of Tough Times
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• After 40 Years, U2 Is Still Huge. Why?
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• Remembering Lil Peep
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• Taylor Swift’s ‘Reputation’ Has Arrived. Let’s Discuss.
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• Taylor Swift’s ‘Reputation’ Is Almost Here. Let’s Discuss.
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• How Will Jann Wenner and Rolling Stone Be Remembered?
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• National Anthem Protests, From ‘Jazzing the Banner’ to Taking a Knee
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• From Instagram to ‘Bodak Yellow,’ Cardi B Has Arrived
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• Is SoundCloud a Business or a Community?
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• Hip-Hop’s Punk Moment Has Arrived
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• Katy Perry, Lorde and Halsey: How to Make a Pop Album in 2017
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• Why We’re Still Listening to the Beatles’ ‘Sgt. Pepper’
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